Rooting for Mason Thames

Get a sneak peek of our cover story with Mason Thames. Ahead of the How to Train Your Dragon press tour, the seventeen-year-old actor talks riding mythical creatures, the ’90s he never lived through and the (many) films he’s starring in this year.

Mason Thames answers our video call from his audition studio in Texas. Framed by a grey backdrop and studio lights, he props up his phone on his table to angle himself in shot. Born and raised in the Lone Star State, he’s spent the few quiet moments ahead of the How to Train Your Dragon press tour hanging out with his grandparents, catching up with old friends and finishing season two of Severance. Thames is instantly likeable — his laid-back enthusiasm endearing and his presence, albeit virtual, gentle. “I love [How to Train Your Dragon] so much, I could just talk about it for hours,” says Thames, whose role as Hiccup in the film is a childhood dream come true.

In this live-action reimagining of his 2010 release, director Dean DeBlois once again follows Hiccup, an outcast in his Viking village, as he unexpectedly befriends Toothless, a feared Night Fury dragon. The duo’s friendship challenges everything the village believes about dragons, and what it means to be brave. “It’s just so weird. So weird. I’m soaking up as much as I can,” grins Thames, as he recalls the first time he saw himself at a How to Train Your Dragon screening. He distinctly remembers the film’s impact on him when he watched it as a child, and hopes the effect on the audience watching him will be just as profound. “You make one magical moment, and it lasts forever,” he says.

A message Thames wants the audience to take home? Being different is cool. “I wouldn’t want to be like everybody else. You know, it’s boring. Be yourself,” he says. The actor explains that his connection to Hiccup is deeply personal. “His whole village rejects him because he’s different,” Mason says. “When I was a kid, I would tell everyone I wanted to be an actor, and they just laughed at me. Nobody thought it would happen. I didn’t think it was ever going to happen.” Thames reflects that things began to feel right once he embraced his differences. “That’s what happened with Hiccup. All he wanted was to be a normal Viking, to kill a dragon. But once he realised he couldn’t and that he was different, he had to accept it. That was something I really related to in my journey to becoming an actor.”

Mason wears top and shorts by HOMME+FEMME, socks by NIKE, trainers by COACH, watch by CARTIER and necklace and bracelets by XIV JEWELS.
Mason wears top by HOMME+FEMME, jeans by STRIKE OIL, watch by CARTIER and necklace, ring and bracelets by XIV JEWELS.

If Thames had his own dragon, he would name it Baryshnikov, or ‘Brish’ for short. This is the same name his sister, a ballerina eighteen months his senior, gave their family dog in honour of the legendary ballet dancer, actor and choreographer, Mikhail Baryshnikov. Incidentally, Thames’ journey into acting began after trying his own hand at ballet. One day, while accompanying his mother to pick up his sister from class, her teacher suggested he try it. He ended up studying ballet for four years.

The discipline taught him how to handle both direction and rejection, and it was during a performance of The Nutcracker that Thames first experienced stage fright, which he considers “probably the hardest thing” he has had to overcome professionally. He describes his transition to acting as a natural progression from ballet, saying that the moment he tried acting, “It just clicked, and I’ve loved it ever since”.

Thames also credits ballet for his physicality, which he admires in Hiccup. “I wanted to keep Hiccup’s most important elements, and his physicality is so iconic,” he says. Thames explains that he watched the original film so many times as a child that Hiccup’s movements became almost instinctive when he stepped into the role. “So, how did you fly on a dragon?” I ask. “The best way I can explain it is like a mechanical bull mimicking Toothless’s movements. It’s being sent fifteen feet up in the air, and the computer version of Toothless would do the same thing, so when they added him in post-production, it looked so smooth with me on top,” beams Thames. “It was awesome. We spent about a month on the dragon. The wind in my face — it was so cool.”

This excerpt was taken from HUNGER Issue 35: F**k it. Stay tuned for the full story.

  • Photographer and ProducerSonali Ohrie
  • WriterSufiya McNulty
  • StylistEdwin J. Ortega
  • GroomerNatalia Bruschi
  • Lighting DesignerMike Anderson