Hayley Atwell goes from strength to strength in Dior Beauty

Get a sneak peek of our cover story with Hayley Atwell. The actor was poached for her role in Mission: Impossible thanks to a “particular quality”. With the final film of the franchise out in the world, that certain something is as clear as ever.

No more than one minute late, Hayley Atwell jumps onto our Zoom call, being perhaps the first person ever to look good on a laptop camera. The London-born actor is inquisitive from the get-go — a connoisseur and admirer of her audience, whoever they might be. She asks me what HUNGER readers are like, and her interest in understanding others while being understood herself is immediately evident. It’s no wonder one of her inspirations at a young age was Scout from Harper Lee’s To Kill a Mockingbird — constantly observant and intrigued about how the world works, which is something Atwell questions consistently. “What is this culture that we’re in?” she muses. “Where is it going? Where do we want it to go? How does it align with our values?”

On a more tangible note, we began to discuss Atwell’s latest venture, Mission: Impossible — The Final Reckoning, in which she plays Grace, a former thief turned Impossible Mission Force agent. With the UK premiere for the franchise’s finale over and done with, Atwell is happy that the film is now “in the hands of the audience” — it was in itself a mission to get out into the world. Atwell first met director Christopher McQuarrie after he watched her portray Sylvia in the 2013 revival of play The Pride. He told her, “there’s something that you can do on stage — a particular quality that you have,” the actor relays. “And I want to bottle it and put it in a movie.”

Having that certain je ne sais quoi wasn’t enough to prevent the halting of filming multiple times, however — between a certain pandemic and the writer’s strike, it took dedication and five years to get the film to cinemas. “Tom [Cruise] was having to find ways of keeping the movie going, while also encouraging other studios to keep their movies going,” Atwell tells me. “Really, he was working hard to make sure that the industry was able to survive.”

Hayley wears Dior Capture Le Sérum and DIOR Backstage Face & Body Foundation in 2CR and DIOR ForeverCushion Powder in 020 Light on skin, DIORShow Brow Styler in 033 on brows, DIORShow Mascara in 090 Black on lashes, DIOR Backstage Eye Palette in 002 Smoky Essentials on eyes, DIOR Backstage Rosy Glow in 001 Pink on cheeks, Rouge Dior Lipstick in 999 and 277 Osee on lips, DIOR Vernis in 108 Muguet on nails and shirt, earrings and bracelet cuff by DIOR.
Hayley wears Dior Capture Le Sérum and DIOR Backstage Face & Body Foundation in 2CR and DIOR Forever Cushion Powder in 020 Light on skin, DiorShow Brow Styler in 033 on brows, DiorShow Mascara in 090 Black on lasher, DIOR Backstage Eye Palette in 001 Warm Neutrals on eyes, DIOR Backstage Rosy Glow Stick in 103 Toffee on cheeks, DIOR Addict Lip Glow Butter in 103 Toffee on lips and earrings by DIOR.

When the set was in action, though, it had a unique status quo. It’s well known that writer and director Christopher McQuarrie took a write-as-you-go approach to his scripts for the franchise, serving as proof that blockbusters don’t need to be soulless money-making machines, but can be artistic playgrounds. The creative process gave Atwell space to grow, and while it might seem like a Type A’s worst nightmare, there were no strict rules on what the actors could play with. “Everything on any given day is up for grabs in terms of if you want to try something,” Atwell says, playing with her metal tea cup. “And that scares a lot of actors and also liberates a lot of actors. For me, it makes me feel like I have control.”

While Atwell’s career has travelled from the eighteenth century for her role in The Duchess to the ’40s to the feisty Agent Carter, the present day and Mission: Impossible marks her highest point of growth, especially in terms of setting the standard for the work she wants to undertake. “As I develop myself as an actor and just as a person,” Atwell says, “I was clear about the kind of people I wanted to work with.” Her work with the Mission: Impossible team only solidified this. The actor tells me about being consistently supported by Cruise and McQuarrie during the intense preparation for the franchise finale. “They’re people that I admired and respected, but I also knew would challenge me,” she says. “And that would be regardless of the genre, regardless of the story.”

Besides the mental preparation, Atwell also had to get her body ready for this extremely physically demanding job, mostly by training in the hands of Wade Eastwood, the celebrity stuntman and coordinator. He looked at her centre of gravity, at the way her body moved and how she could achieve the physical stamina needed to run around alongside Cruise. Thankfully, the actor could rely on the same theatre days that brought her on this very journey for help in this arena. “My theatre work is how I learnt how to use props,” she says. “How to use my whole body within a space.”

This excerpt was taken from HUNGER Issue 35: F**k it. Stay tuned for the full story.

  • PhotographerRankin
  • Fashion DirectorMarco Antonio
  • WriterFrancesca Ionescu
  • Make-Up ArtistKenneth Soh at The Wall Group using DIOR BEAUTY
  • Hair StylistLiz Taw at The Wall Group using R+CO
  • Photographer's AssistantJacques Ross
  • RetouchingFTP Digital