What went down at Milan Fashion Week?

From Diesel’s egg hunt to ‘The Devil Wears Prada’ teasers, to Armani’s touching farewell to its founder, the week was filled with unmissable moments.

The week began with the premiere of Gucci’s La Famiglia collection via The Tiger, a short film co-directed by Spike Jonze and Halina Reijn. Demi Moore starred as matriarch Barbara Gucci, presiding over a surreal birthday party where guests, including Kendall Jenner, wore the Spring 2026 collection. Presented through a lookbook, the collection explored theatrical glamour and maximalist opulence. The lookbook opened with L’Archetipo, a monogrammed trunk, while slingback kitten heels and leather mules embodied “sprezzatura” (the Italian concept of effortless elegance).

At Dolce & Gabbana, sleep masks doubled as invitations to a show where Meryl Streep, reprising her role as Miranda Priestly, and co-star Stanley Tucci made a surprise appearance amid speculation that the moment could be footage for the upcoming The Devil Wears Prada sequel. Models emerged as if from a boudoir, soundtracked by Patty Pravo’s renditions of Italian classics like “Notti Bianche”, literally translating to “sleepless nights”.

Image credit: Dolce & Gabbana

Diesel abandoned the runway entirely. Glenn Martens transformed Milan into a citywide stage, distributing fifty-five looks across thirty-four transparent egg-shaped capsules scattered throughout the streets. “Fashion is a game, everyone gets to be on the front row”, Martens said of the concept, which saw almost five thousand people sign up online for the three-and-a-half-hour hunt, with the first five to find all the eggs winning a complete look from the SS26 collection.

Hundreds of lantern-style lamps transformed Milan’s Pinacoteca di Brera into an ethereal stage for Giorgio Armani’s final collection. What began as a fiftieth anniversary celebration turned into an emotional farewell after the designer’s death at ninety-one earlier this month. Italian composer Ludovico Einaudi opened with a stirring performance, his “Nuvole Bianche” accompanying the first models down the runway. The closing look, a crystal-adorned gown bearing Armani’s portrait, worn by longtime muse Agnes Zogla, brought all seven hundred guests to their feet. Richard Gere, Cate Blanchett and fellow designers delivered a standing ovation in a fitting final tribute to Milan’s maestro.

Image credit: Armani
  • WriterSufiya McNulty
  • Banner Image CreditDiesel